I know what you’re thinking. Why would I review the sequel to a book I didn’t like all that much?
Well, the ending to The Passage was exciting enough that I felt The Twelve was worth a try. I wasn’t going to spend money on it, but I’d put a hold on the ebook at the library and see what happened. If it didn’t hook me in the first 50 pages, then I could just accept that this wasn’t the series for me and go on my merry way.
So I put it on hold, and when the hold came through, I started reading.
And it completely hooked me.
THIS was the book I wanted to read when I was promised literary-style vampires. THIS was the book I wanted to read when I was promised post-apocalyptic viral mayhem. THIS was 100 times better than The Passage.
Though we are, frustratingly, introduced to even MORE new characters in this book, at least these characters didn’t stumble around incoherently through 50 pages of backstory for each one of them. We also get to spend the majority of the book with characters we know from the first book, and they get to do way more interesting things. I’m still not a huge fan of the author’s stylistic choices, but the narrative switches bothered me much less in this book.
Justin Cronin is juggling a large timeline (100 years or so), multiple locations separated by hundreds of miles, and an enormous cast of characters. While I found the scope to be somewhat disjointed in book one, here some of the puzzle pieces start to fall into place. He has certainly earned my trust that all of my investment in his world will pay off.
In this book, we slide one generation back in time to see some important lead-ins to the current action, and we also get to see a new side of Year Zero. This time around we actually experience the viral outbreak and its immediate consequences on the population. I absolutely loved seeing the government side of the story and how they tried to balance their resources in the face of a society-ending plague. How would they try to quarantine large sections of the country? Who would they sacrifice for the greater good? What would happen to the world economy and foreign relations? These are the kinds of questions I enjoy exploring in post-apocalyptic fiction, and Cronin finally delivers.
The mysteries and objectives facing the characters were thrilling. I was swept up in the story, and found myself trusting Cronin to lead us to where we needed to be. My familiarity with the main characters put me at ease while reading, but the new challenges they faced had me on edge. Life is bleak in this world, and just when you think you know where things are going they take a right turn into a new surprise. It’s very much an enjoyable ride.
Action-packed mayhem, deepening plot mysteries, and strong characters make this a book well worth a read. If you can slog your way through the first book, The Twelve will reward you in spades. I will absolutely be reading the final book when it releases next year, and it can’t get here soon enough.
Rating: 4/5 stars
It took me two tries to get through this book. The first 200 pages or so were terrific. The middle section draaaaaaaagged. After 540 pages, with a looming library due date in front of me, I gave up. I decided the last 200 pages couldn’t possibly be worth the effort it was taking me to slog through and returned the book.
Fate wasn’t letting me off the hook so easy. Two days after I returned the book I received an email from the library that my ebook hold for this title (which I’d forgotten I had reserved) was available. I took it as a sign to push on and see if I could finish, so I downloaded the ebook and jumped back in, with a bit of trepidation.
And I finished! Even more surprising, I actually liked the ending, and I’m curious about the sequel now. I think taking a break to read something quick and fun was a good idea, because I came back to it without the boredom slowly beating me to death as before.
Final verdict: great beginning, good end, horrible middle.
In the beginning, I didn’t mind the slow pace because the characters were interesting and the story was intriguing. We get a nice setup to this world and how it’s about to change. We get a sense of the players involved and a hint of how they’re going to intersect later. At this point, I was still trusting Cronin to see us through to a satisfying conclusion and was willing to relax and go for the ride.
After the beginning sections end with the release of the virus, we fast forward nearly 100 years to post-apocalyptic life on one of the last human strongholds, the Colony. Here is where things ground to a halt for me. New, bland, barely distinguishable characters live boring and uneventful lives. Each character talks us through their excruciatingly detailed backstories as we learn who’s who in this entirely new setting. It was like starting a whole new book, but it paled in comparison to the one you’d just finished.
When exciting events do occur (which is oddly rare for a world populated by terrifyingly lethal vampires), Cronin delivers the action in narrative shifts that completely remove any trace of tension. One minute the characters are facing down a vampire horde, and the next minute you’re reading one of the character’s journal entries describing the attack. Why take us out of the action and have the character, who obviously lived since they wrote a journal entry about it, tell us how it happened? Why not just let the action happen? Most of these events could easily have unfolded as part of the regular narrative, and the distance created from these shifts made me care even less about the story.
The characters’ behavior was often inconsistent. Where was the fear in these people? They’ve lived for almost a hundred years in a compound to keep out the vampires, and yet they never seem scared. It was mind numbingly boring to wait for something even mildly tense to happen. After 500 pages, when they finally have an objective, they set off on a quest across the Southwest without hesitation or fear. You can practically see them standing around, shrugging, and then loading up their backpacks.
I also didn’t buy the cultural and linguistic changes that Cronin created for the future-set Colony, either. After only 92 years, we’ve forgotten the concept of the ocean or basic geography? We’re calling kids “Littles” because the word “children” wasn’t working anymore? We’ve invented a new curse word and abandoned all others? We still know how to use stethoscopes and provide medical care, but we’ve stopped telling time? If Cronin had bothered to explain (perhaps in one of the lengthy backstory recaps) some of these influences or how they evolved, I’d have bought in to the world a little better.
Though I liked the mystery around the Amy character and the virus, the boring and tension-free writing made me throw in the towel. I’m glad I finished it, though, because things picked up again in the last hundred pages. The plot moves, big changes occur, and past characters from the beginning sections return. I liked the ending enough that I’m probably going to at least start the sequel, just to see where it’s headed. I find the story really interesting, and I do think it’ll make a great movie, but the hefty length of this one sure made it a chore to get through.
Rating: 2/5 stars
First impressions: Scott Snyder and Stephen King did not set out to make a sparkly vampire tale. This is dark, scary, disturbing, and violent. Once I started reading, I couldn’t put it down.
Lasting impressions: This has become my most anticipated monthly comic. Skinner Sweet is deliciously evil, and reading his progress from being turned in the Old West, to taking over a Vegas brothel in the ’30s, to battling vampire genocide in WWII is terrifying and compelling.
Conflicting impressions: Multiple readings make this one a bit easier to follow. The history of vampires is somewhat re-created here, and the large amount of information and competing story lines can get confusing.
Overall impressions: American Vampire is a monthly comic, currently on issue 19, supplemented by a 5 issue miniseries, American Vampire: Survival of the Fittest. It follows Skinner Sweet, the first American vampire, and the vampire he creates, Pearl.
Stephen King jumped on board with this comic to tell Skinner’s backstory. Through the first 5 issues, he trades panels with series creator Scott Snyder, interspersing Skinner’s origin as a new strain of vampire born in the Wild West with his present saving/turning young actress Pearl in the 1920s. The back-and-forth in time works well for the most part, as I enjoyed seeing how Skinner became a vampire, but it also seemed to read like two different stories that didn’t need to be told simultaneously.
Pearl is an interesting character who goes through the most significant changes across the arcs of these volumes. Though Skinner saves her from a gruesome death by turning her, he does little to help her navigate her new life as a vampire. Determined to not turn out as sadistic as Skinner, she allows herself to fall in love with jazz singer Henry, though they are often on the run from the Vassals of the Morning Star (VMS), a group determined to kill vampires.
Volume 2 fast forwards through time to the 1930s, where we meet Cash McCogan, Las Vegas police chief, investigating a string of murders that make him cross paths with the VMS and vampires. Cash and the VMS are the subject of the spin-off miniseries, which puts them in contact with Nazi vampires out to purify the vampire race.
This series is beautifully illustrated by Rafael Albuquerque, who manages to deliver creepy and grotesque content without the images themselves becoming overly graphic. The vampires are drawn to achieve the effect the writers wanted – scary, not seductive. These vampires are more monsters than they are humans, and the cruelty of Skinner Sweet is a constant reminder that these vampires are not exactly woeful about the loss of their humanity. Although Pearl is more human than the rest of them, she can still attack with little regard for the pain she causes, particularly when she or Henry is threatened.
The unique history of vampires and the setting in varied important periods in American history make this a joy to read. This is pure horror at its best, with twists and turns full of scary things ready to jump out and spoil the party. Skinner Sweet is one of my favorite fictional characters right now, because despite his nasty and cruel ways, he is still lashing out at a monster he never wanted to become. Sure, he’s a bad guy, and was long before he even became a vampire, but he’s unpredictable and clearly has a soft spot for Pearl. I can’t wait to see where his story takes us next.
I highly recommend this series to all horror, vampire, and Stephen King fans.
Rating: 4/5 stars