Author: A.G. Howard
Series: Splintered #1
Publisher: Amulet Books
Release date: January 1, 2013
Genres: Fantasy, Young Adult
Amazon • Goodreads
This stunning debut captures the grotesque madness of a mystical under-land, as well as a girl's pangs of first love and independence. Alyssa Gardner hears the whispers of bugs and flowers - precisely the affliction that landed her mother in a mental hospital years before. This family curse stretches back to her ancestor Alice Liddell, the real-life inspiration for Lewis Carroll's Alice's Adventures in Wonderland. Alyssa might be crazy, but she manages to keep it together. For now.
When her mother's mental health takes a turn for the worse, Alyssa learns that what she thought was fiction is based in terrifying reality. The real Wonderland is a place far darker and more twisted than Lewis Carroll ever let on. There, Alyssa must pass a series of tests, including draining an ocean of Alice's tears, waking the slumbering tea party, and subduing a vicious bandersnatch, to fix Alice's mistakes and save her family. She must also decide whom to trust: Jeb, her gorgeous best friend and secret crush, or the sexy but suspicious Morpheus, her guide through Wonderland, who may have dark motives of his own.
Alice in Wonderland is one of those tales that is so pervasive you feel like you’ve read it, even if you haven’t. Though I have never read Lewis Carroll’s classic book, I probably watched my old VHS tape of this ridiculously cheesy 1985 TV miniseries about a hundred times. I’ve seen the Disney version and the Johnny Depp version. And I’ve loved them all.
This modern take on Alice’s story imagines our protagonist, Alyssa, as a descendant of the Alice who lived and inspired Carroll’s stories. Along with a similar name, she is in line to inherit the psychological madness that is passed from female descendant to female descendant. Her mother is locked in an asylum, and Alyssa tries very hard to convince herself that she can’t hear the voices starting to appear in her head. She’s a cool skater girl into art and bugs and other Things That Are Dark And Twisty.
The coolest thing about this book is the brilliant display of imagination on the part of author A. G. Howard. I only wish I could think up stuff this vivid and exciting. When Alyssa goes down the rabbit hole, we get a version of Wonderland that is fresh and new without being unfamiliar. Carroll’s characters pop up, but in different forms than you might expect. I don’t want to spoil the fun of discovery, but I will say that the White Rabbit is not just a rabbit – he’s much creepier than that.
If you’re tired of love triangles, consider yourselves warned. Alyssa is into the boy next door, Jeb, and while in Wonderland starts to fall under the spell of the difficult and dark Morpheus. Morpheus acts as a sort of guide and childhood friend of Alyssa’s on the Wonderland side of things, while Jeb is her friend and protector on the reality side. Morpheus is certainly the more interesting and mysterious of the two, but his sketchy motives later in the story made me not like him as much.
If I had one complaint about this book, it’s that those motives, and the plot, got a little confusing toward the end. I had a hard time following what was happening because the history was so rich and complex. The politics of the Red Queen and White Queen and Morpheus’s place in the middle of all of it overwhelmed me, and I’m still not entirely sure I absorbed it all. I kept having to go back and re-read sections to track who supposedly did what and to what end, and what they really meant when they did them, versus what everyone else thought they were doing.
Did you get that? Yeah. Me either.
Fuzzy plot or not, this was a really enjoyable story. I loved seeing such a cool concept from a debut author, too! I picked this one up at the library because I couldn’t find it at the store, and the cover is absolutely stunning. The text is a beautiful dusty purple color. Normally I’m not a fan of colored print in books, but for some reason this really worked for me. If you’re in the market for a beautiful book for your shelf and want to support a debut author with a fantastic story, I recommend this one.
Rating: 4/5 stars
I know what you’re thinking. Why would I review the sequel to a book I didn’t like all that much?
Well, the ending to The Passage was exciting enough that I felt The Twelve was worth a try. I wasn’t going to spend money on it, but I’d put a hold on the ebook at the library and see what happened. If it didn’t hook me in the first 50 pages, then I could just accept that this wasn’t the series for me and go on my merry way.
So I put it on hold, and when the hold came through, I started reading.
And it completely hooked me.
THIS was the book I wanted to read when I was promised literary-style vampires. THIS was the book I wanted to read when I was promised post-apocalyptic viral mayhem. THIS was 100 times better than The Passage.
Though we are, frustratingly, introduced to even MORE new characters in this book, at least these characters didn’t stumble around incoherently through 50 pages of backstory for each one of them. We also get to spend the majority of the book with characters we know from the first book, and they get to do way more interesting things. I’m still not a huge fan of the author’s stylistic choices, but the narrative switches bothered me much less in this book.
Justin Cronin is juggling a large timeline (100 years or so), multiple locations separated by hundreds of miles, and an enormous cast of characters. While I found the scope to be somewhat disjointed in book one, here some of the puzzle pieces start to fall into place. He has certainly earned my trust that all of my investment in his world will pay off.
In this book, we slide one generation back in time to see some important lead-ins to the current action, and we also get to see a new side of Year Zero. This time around we actually experience the viral outbreak and its immediate consequences on the population. I absolutely loved seeing the government side of the story and how they tried to balance their resources in the face of a society-ending plague. How would they try to quarantine large sections of the country? Who would they sacrifice for the greater good? What would happen to the world economy and foreign relations? These are the kinds of questions I enjoy exploring in post-apocalyptic fiction, and Cronin finally delivers.
The mysteries and objectives facing the characters were thrilling. I was swept up in the story, and found myself trusting Cronin to lead us to where we needed to be. My familiarity with the main characters put me at ease while reading, but the new challenges they faced had me on edge. Life is bleak in this world, and just when you think you know where things are going they take a right turn into a new surprise. It’s very much an enjoyable ride.
Action-packed mayhem, deepening plot mysteries, and strong characters make this a book well worth a read. If you can slog your way through the first book, The Twelve will reward you in spades. I will absolutely be reading the final book when it releases next year, and it can’t get here soon enough.
Rating: 4/5 stars
It took me two tries to get through this book. The first 200 pages or so were terrific. The middle section draaaaaaaagged. After 540 pages, with a looming library due date in front of me, I gave up. I decided the last 200 pages couldn’t possibly be worth the effort it was taking me to slog through and returned the book.
Fate wasn’t letting me off the hook so easy. Two days after I returned the book I received an email from the library that my ebook hold for this title (which I’d forgotten I had reserved) was available. I took it as a sign to push on and see if I could finish, so I downloaded the ebook and jumped back in, with a bit of trepidation.
And I finished! Even more surprising, I actually liked the ending, and I’m curious about the sequel now. I think taking a break to read something quick and fun was a good idea, because I came back to it without the boredom slowly beating me to death as before.
Final verdict: great beginning, good end, horrible middle.
In the beginning, I didn’t mind the slow pace because the characters were interesting and the story was intriguing. We get a nice setup to this world and how it’s about to change. We get a sense of the players involved and a hint of how they’re going to intersect later. At this point, I was still trusting Cronin to see us through to a satisfying conclusion and was willing to relax and go for the ride.
After the beginning sections end with the release of the virus, we fast forward nearly 100 years to post-apocalyptic life on one of the last human strongholds, the Colony. Here is where things ground to a halt for me. New, bland, barely distinguishable characters live boring and uneventful lives. Each character talks us through their excruciatingly detailed backstories as we learn who’s who in this entirely new setting. It was like starting a whole new book, but it paled in comparison to the one you’d just finished.
When exciting events do occur (which is oddly rare for a world populated by terrifyingly lethal vampires), Cronin delivers the action in narrative shifts that completely remove any trace of tension. One minute the characters are facing down a vampire horde, and the next minute you’re reading one of the character’s journal entries describing the attack. Why take us out of the action and have the character, who obviously lived since they wrote a journal entry about it, tell us how it happened? Why not just let the action happen? Most of these events could easily have unfolded as part of the regular narrative, and the distance created from these shifts made me care even less about the story.
The characters’ behavior was often inconsistent. Where was the fear in these people? They’ve lived for almost a hundred years in a compound to keep out the vampires, and yet they never seem scared. It was mind numbingly boring to wait for something even mildly tense to happen. After 500 pages, when they finally have an objective, they set off on a quest across the Southwest without hesitation or fear. You can practically see them standing around, shrugging, and then loading up their backpacks.
I also didn’t buy the cultural and linguistic changes that Cronin created for the future-set Colony, either. After only 92 years, we’ve forgotten the concept of the ocean or basic geography? We’re calling kids “Littles” because the word “children” wasn’t working anymore? We’ve invented a new curse word and abandoned all others? We still know how to use stethoscopes and provide medical care, but we’ve stopped telling time? If Cronin had bothered to explain (perhaps in one of the lengthy backstory recaps) some of these influences or how they evolved, I’d have bought in to the world a little better.
Though I liked the mystery around the Amy character and the virus, the boring and tension-free writing made me throw in the towel. I’m glad I finished it, though, because things picked up again in the last hundred pages. The plot moves, big changes occur, and past characters from the beginning sections return. I liked the ending enough that I’m probably going to at least start the sequel, just to see where it’s headed. I find the story really interesting, and I do think it’ll make a great movie, but the hefty length of this one sure made it a chore to get through.
Rating: 2/5 stars