Archive for Historical
From the very first sentence, this book grips you by the throat and doesn’t let go. I devoured this book in two sittings, staying up late into the night, furiously wiping away tears so I could finish. I was so thoroughly invested in Lina’s story that I had a hard time letting go.
Lina, along with her mother and brother, is ripped from her Lithuanian home by Soviet secret police late on a June evening in 1941. They are given 20 minutes to pack a bag before they are whisked away on trucks and herded onto train cars bound for Russia. From there, we follow Lina’s harrowing journey of survival by train to Russian and Siberian forced labor camps.
The book moves quickly thanks to short chapters, often punctuated by Lina’s memories of moments from a better time. These snippets give us a glimpse into the girl she was before she was taken. They serve as a jarring juxtaposition against her situation in the camps – starving, worked near to death, fighting disease and failing health. Her memories are those of any girl, and reminds us of her humanity and innocence.
Lina meets a number of people on the train and in the camps, and they all captivated me in different ways. Ruta Sepetys, who researched this book by visiting Lithuania and hearing survivors’ experiences, created such vivid characters despite their dire circumstances. I felt for each of them in different ways, much like the way they each process their situation. No one person reacted the same way to what was happening – we saw denial, fear, shock, outrage, defiance, and defeat. Nothing can prepare you for the gamut of emotions that Sepetys paints onto each page.
This is a gorgeous, haunting, and incredibly moving book. I highly recommend it, but be sure to keep some tissues handy.
Rating: 5/5 stars
First impressions: YOU GUYS. LADY NUN ASSASSINS. Enough said.
Lasting impressions:Â Ismae may be one of my favorite heroines of all time. She’s up there with Claire Randall, vying for the top spot. She’s smart, humble, kind, merciful, and oh yeah – a stealthy handmaiden of death.
Conflicting impressions:Â While the convent was a large focus of the first part of this book, the ending didn’t tie up many loose ends in that regard. I have a feeling much of this information will become the focus in later books, but I felt a little jilted in this book when it came to Sybella and some of the other sisters.
Overall impressions:Â It’s a historical novel with courtly intrigue and a protagonist who is a kick-ass murderer. But a niceÂ kick-ass murderer. I would have bet anyone a million dollars that I would love this book.
Guess what? I win!
The premise of this book could never hold the weight of its own ambition without a heroine that makes the reader care about her. From the very first page, Ismae stole my heart. Trapped under an abusive father, marked by Death himself to be an outcast, and thrust into a marriage with a disgusting pig of a man, I couldn’t help but want something more for her. When she is offered a home and a purpose for her miserable life at St. Mortain’s convent, Ismae can finally start to believe in herself.Â
The bulk of the novel focuses on one of Ismae’s first major assignments. She is assigned to play mistress to Lord Duval and accompany him to the Breton court to ferret out traitors that need assassinating. There is a delectable romance that builds between the two unlikely lovebirds, and I appreciated that LaFevers devoted more time to personality based obstacles than class driven ones. Yes he’s a Lord and one of the most influential men at court, and she’s just the lowly peasant girl, but that never seems to be the focus for why these two shouldn’t fall in love.
Perhaps why I loved Ismae so much was precisely because LaFevers made her more complicated than the usual historical trope. Despite her training and occupation, Ismae is an Everywoman. She’s unsure of herself and makes mistakes. She follows at times she should be leading. She trusts when she shouldn’t. Yet we don’t fault her for any of it. We understand why she makes the decisions she does, and it makes her all the more believable and compelling.Â
Do I think this story needed to meander through nearly 600 pages? No. There were moments where the pacing lagged and Ismae got a bit repetitive with her musings. At its core, however, this novel has a pure soul that guides us carefully through morally complicated situations that at times benefited from a lengthier examination. As Ismae determines her true calling as Death’s handmaiden, the book culminates in one of the most spiritually enlightened moments I’ve ever experienced in fiction.Â
The vast depth to this book offers pure pleasure to the reader. If you’re willing to invest the time, it will heap its rewards upon you. There’s a reason for the hype, and this one definitely lives up to it.
Rating: 5/5 stars
First impressions: Man, I am such a sucker for historical settings. The rich details and ominous beginning had me hooked.
Lasting impressions: A fun historical mystery that’s recommended for fans of both genres.
Conflicting impressions: The romance didn’t feel real for me, and I felt the story could have done without it.
Overall impressions: If there’s one thing I love more than historical fiction, it’s secret societies. This book offered me both, and for the most part I was not disappointed.
Laura is a pleasant protagonist, who is stuck in the most unfortunate situations for much of the book. I really rooted for her, because nobody likes to see nice people in sucky circumstances. Forced to live in a convent while her father uses all the available dowry money to try and marry off her older sister, Laura’s life is bleak. When her sister dies suddenly in a mysterious drowning, her father pulls her from the convent to use as a back-up bride.
Say it with me: ICK.
Laura goes along with this plan while out enjoying society for the first time, but soon learns that her new husband-to-be is a decrepit, dirty old man who promises nothing but a lifetime of misery. He’s skeezy in every sense of the world and I shuddered at the thought of poor Laura forced to spend the rest of her life with him.
Say it with me: DOUBLE ICK.
This is where the Segreta comes in. They are a secret society of powerful women that help make things happen in Venice. They pull strings, using the power and influence of secrets to bribe and undermine the men that rule over their lives. It’s an intriguing concept, and one that I wish had been developed a little more. We are given only the face value of this group, with no explanation into their surely rich history and inner workings. As written, it felt a little like a device used to propel Laura’s story forward instead of a vital, integrated thread of the plot.
Similarly, Laura develops a romance that was very ho-hum for me. I didn’t sense much chemistry or connection between them, and it jumped from friendly to ohmigodpleasemarryme in 4 seconds flat. Though the character provides an interesting subplot to the book, I personally would have found the book more satisfying with more emphasis on the Segreta and less on the romance.
The mystery of Laura’s sister’s death at times gets shuffled to the backburner as the story progresses, but the reveal at the end was interesting and I enjoyed the mystery component. I think fans of Renaissance Italy and mystery books will like this one as much as I did, despite its few small flaws.
Rating: 3/5 stars