Archive for 2 stars
It took me two tries to get through this book. The first 200 pages or so were terrific. The middle section draaaaaaaagged. After 540 pages, with a looming library due date in front of me, I gave up. I decided the last 200 pages couldn’t possibly be worth the effort it was taking me to slog through and returned the book.
Fate wasn’t letting me off the hook so easy. Two days after I returned the book I received an email from the library that my ebook hold for this title (which I’d forgotten I had reserved) was available. I took it as a sign to push on and see if I could finish, so I downloaded the ebook and jumped back in, with a bit of trepidation.
And I finished! Even more surprising, I actually liked the ending, and I’m curious about the sequel now. I think taking a break to read something quick and fun was a good idea, because I came back to it without the boredom slowly beating me to death as before.
Final verdict: great beginning, good end, horrible middle.
In the beginning, I didn’t mind the slow pace because the characters were interesting and the story was intriguing. We get a nice setup to this world and how it’s about to change. We get a sense of the players involved and a hint of how they’re going to intersect later. At this point, I was still trusting Cronin to see us through to a satisfying conclusion and was willing to relax and go for the ride.
After the beginning sections end with the release of the virus, we fast forward nearly 100 years to post-apocalyptic life on one of the last human strongholds, the Colony. Here is where things ground to a halt for me. New, bland, barely distinguishable characters live boring and uneventful lives. Each character talks us through their excruciatingly detailed backstories as we learn who’s who in this entirely new setting. It was like starting a whole new book, but it paled in comparison to the one you’d just finished.
When exciting events do occur (which is oddly rare for a world populated by terrifyingly lethal vampires), Cronin delivers the action in narrative shifts that completely remove any trace of tension. One minute the characters are facing down a vampire horde, and the next minute you’re reading one of the character’s journal entries describing the attack. Why take us out of the action and have the character, who obviously lived since they wrote a journal entry about it, tell us how it happened? Why not just let the action happen? Most of these events could easily have unfolded as part of the regular narrative, and the distance created from these shifts made me care even less about the story.
The characters’ behavior was often inconsistent. Where was the fear in these people? They’ve lived for almost a hundred years in a compound to keep out the vampires, and yet they never seem scared. It was mind numbingly boring to wait for something even mildly tense to happen. After 500 pages, when they finally have an objective, they set off on a quest across the Southwest without hesitation or fear. You can practically see them standing around, shrugging, and then loading up their backpacks.
I also didn’t buy the cultural and linguistic changes that Cronin created for the future-set Colony, either. After only 92 years, we’ve forgotten the concept of the ocean or basic geography? We’re calling kids “Littles” because the word “children” wasn’t working anymore? We’ve invented a new curse word and abandoned all others? We still know how to use stethoscopes and provide medical care, but we’ve stopped telling time? If Cronin had bothered to explain (perhaps in one of the lengthy backstory recaps) some of these influences or how they evolved, I’d have bought in to the world a little better.
Though I liked the mystery around the Amy character and the virus, the boring and tension-free writing made me throw in the towel. I’m glad I finished it, though, because things picked up again in the last hundred pages. The plot moves, big changes occur, and past characters from the beginning sections return. I liked the ending enough that I’m probably going to at least start the sequel, just to see where it’s headed. I find the story really interesting, and I do think it’ll make a great movie, but the hefty length of this one sure made it a chore to get through.
Rating: 2/5 stars
I read the first three books in this classic children’s series last week, both for Bout of Books 6.0 and my book club meeting over the weekend. It was refreshing to visit some books that people treasure from their childhood (I hadn’t read them before). I’ve been so caught up in reading the latest new releases that I was neglecting the classics!
This first book was so much fun. The Drew kids are sucked into a mystery while on vacation in Cornwall, England – searching for the grail of King Arthur! Does it get any cooler than that? I loved the battle of these three kids against several shady adults from the Dark trying to get their greedy hands on the grail, which will tell them how to defeat the rising of ancient and perceived lost King Arthur.
Helping them along the way is their great-uncle Merriman Lyon, who functions in a mentor type role. He guides them and encourages them as they discover a secret map and go in search of the deciphering tricks that will help them interpret it to find the treasure. The action ramps up nicely, leading to a final showdown that truly delivers and leaves us with plenty to look forward to in the sequels.
Rating: 4/5 stars
The second book in the series is a marked departure from the first one. With the exception of Merriman Lyon, there are no common characters, and even takes place in a different town (and later, magical world). Given how much I loved the Drew kids in the first book, this was a bit disappointing.
This book I found to be confusing, with many jumps through time that left me uncertain from paragraph to paragraph where we were at any given moment. Will is on a quest to find six magical medallions, and he has to move through time and space to get them, often without requiring a whole lot of foresight or planning. Instead, he seems to just stumble upon them in overly convenient ways. There wasn’t a lot of tension as a result, since we just assume that the next part of the plot will deal with him getting the next medallion, and that he will do so with some ease.
The good thing to note is that the first two books do not need to be read in order, since they are so different, but they both provide vital plot elements for the third book so must be read before moving on in the series. The other good thing is that the third book was much more entertaining than this one.
Rating: 2/5 stars
The third book in the series combines the Drew children with Will Stanton, and they are tasked to return to Cornwall to retrieve the scroll lost in book one and the grail that has newly been stolen by the Dark forces. I was very happy to see the Drew kids back in the story, as they are light, comical characters that are a joy to read.
This book zips along in pace, and is the shortest of these three books at only 144 pages. The kids are again battling the Dark, trying to uncover the mystery of who stole the grail, where it went, and how they can get back the scroll that disappeared into the sea the last time they were in town. The magic of the second book comes alive in this book, with eerie scenes playing out in the streets and lots of mysterious interactions with undersea creatures and the strange Greenwitch.
I absolutely intend to finish the last two books in this series, as overall it was a lot of fun to read. Though I found Will boring, the Drew kids are so cute and clever! I want to see where the grail takes them next and whether the Light can succeed in bringing King Arthur back to life.
Rating: 4/5 stars
First impressions: The prologue in this book is incredibly necessary. I know some people hate them, but here it is absolutely vital to our understanding of what is to come. This is not just a ballet book. This is going to get dark, and sexual. If anything about the prologue bothers you – STOP READING.
Lasting impressions: I considered not rating this book at all, because I had such ambivalent feelings about it. Parts of it were interesting in a Black Swan kind of way, but the story meandered without much purpose for large chunks of the book.
Conflicting impressions: What was Georgia’s goal? That’s a huge question to have dangling over the entire book. I never got an answer.
Overall impressions: I am a former ballerina. I love books and movies and TV shows about ballet. I was really excited to read this book, but I very quickly realized that it had nothing to do with ballet. The ballet school serves as a setting only, and as perhaps an extension of Georgia’s slightly obsessive-compulsive personality. She is a ballet dancer because she is, and that’s supposed to be good enough for us.
Once I got past that initial disappointment, I found the teaser from the prologue to be an interesting dangling carrot. We know sweet and innocent Georgia is going to meet someone at ballet school and seduce them. What I found strange by the end of the book, and I still can’t figure it out, is that the prologue scene never reappears in the book, nor does it fit with the actual sequence of events. Was it a dream? A fantasy? Did any of it really happen? I was looking for the payoff from the prologue, and wound up with a drastically different ending than I expected.
Georgia is only 14 years old, and I found her voice inconsistent. At times she felt much, much older and at other times she seemed naive and juvenile (as I would expect from a sheltered 14 year old). Her actions snowballed rather quickly, and over the course of only a few months she experiences a kind of sexual awakening that seemed suspiciously quick. Teenagers experience a whole host of emotions and thoughts about sex that are all over the map, but Georgia goes from zero to 60 and shows no signs of stopping. I’m not sure that’s going to resonate well with teen readers.
I didn’t find Georgia’s actions to be as disturbing as some other reviewers did, but the one aspect of the book that made me uncomfortable was that the reader had to essentially root for Georgia to act on her feelings for her teacher. To my mind, that’s the only goal Georgia was trying to achieve throughout the book, and it was weird to be dragged along on this escapade.
She expresses no thoughts on becoming a grand ballerina, doesn’t focus on the future in the slightest, and makes no effort to do anything besides passively fall in with a group of outgoing classmates and find time to be alone with her teacher. I desperately wanted Georgia to DO something or WANT something, but instead she simply reports on things as they happened. I didn’t understand how her family dynamic impacted the plot, and they gave us very little additional insight into her character.
At the end of the day, I must admit that I simply didn’t get the point of the book. It was an interesting, bizarre, dark little story that is recommended only for older readers.
Rating: 2/5 stars